Dick Campbell (producer)
Dick Campbell | |
|---|---|
| Born | Cornelius Coleridge Campbell June 27, 1903 |
| Died | December 20, 1994 (aged 91) New York City |
| Nationality | American |
| Alma mater | Paul Quinn College (1922–1926) |
| Occupation(s) | Arts administrator, theatre director, singer, dancer, actor |
| Years active | 1926–1964 |
| Organization(s) | Negro People's Theatre, Rose McClendon Players, Negro Actors Guild |
| Known for | Advocate for black theatre performers during a period of segregation |
| Notable work | Waiting for Lefty, On Striver's Row (director) |
| Movement | Harlem Renaissance |
| Spouse(s) | Muriel Rahn (c. 1932–1961)(her death) Beryl (? – 1994) (his death) |
Dick Campbell, born Cornelius Coleridge Campbell (June 27, 1903 – December 20, 1994), was a key figure in black theater during the Harlem Renaissance. While a successful performer in his own right, Campbell is best known as a tireless advocate for black actors in general. As a theater producer and director, he helped launch the careers of several black theater artists, including Ossie Davis, Frederick O'Neal, Loften Mitchell, Helen Martin, and Abram Hill.
He was a co-founder of the Negro People's Theatre in 1935 and the Rose McLendon Players in 1937, which soon produced only plays written by African Americans. That year he co-founded the Negro Actors Guild as well. His advocacy of the hiring of more blacks in TV included a boycott in 1955. From 1956 to 1964 he represented the State Department in Africa in its International Cultural Exchange Program. Later he was appointed to public affairs for the Human Resources Administration under Mayor John Lindsay and acted as a spokesperson for his anti-poverty programs. In 1972 he was co-founder of the Sickle Cell Disease Foundation of Greater New York and served as its executive director until his death.